Not only did Zoltán Lányi create this futuristic, fragmented, jolting experimental work to a track by Amon Tobin featuring Bonobo, but he did it while still in school at the Eszterházy Károly College in Eger, Hungary.
To me, the twitching, glitchy POV reminds me of a sort of post-apocalyptic, burned world being studied and leading to the discovery of a whole new level of mechanical life underneath the ruin.
Plus, it’s just really fucking cool.
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shape+colour 
Whatcha Thinkin?