robert seidel: _grau hd.

Prepare to have your mind blown. I couldn’t be any more thrilled about this. My first post of 2010 kicks off the year in epic style with the HD re-release of Robert Seidel’s 2004 masterpiece “_Grau.”

Seidel is one of my absolute favourite digital artists in the entire world. I’ve posted before, with my adoration, about his groundbreaking video for Zero 7’s “Futures”, his amazing large-scale outdoor projection “Processes: Living Paintings”, and his gorgeous video installation “Vellum.”

Posted publicly for the first time in HD, “_Grau” has only been seen before at this level of quality and detail at galleries and festivals. To me it’s a trailblazing work, that perfectly personifies Seidel’s digital/organic style clash and attention to detail that first made me fall in love with his work.

Seidel describes it himself as “… a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally… various real sources were distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds…”

“Grau” roughly translates into English as “greyish – an achromatic color of any lightness between the extremes of black and white.” Here we have Seidel’s vision of the human spirit in limbo, not between extremes of the afterlife but the unknown moment between life and death. In it he structures the human soul into the most beautiful and terrifying embodiments of its own emotions: prismatic light, splintering bone, gnarled despair, silent torrents of hope, and silky liquid lightness that fades away within itself. It magnifies all of our greatest fears and yearnings and is something I’ve never forgotten. Seeing it again now, in its intended detail and nuance, is nothing less than incredible.

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Via Motionographer.

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michael fragstein: a wet day.

A haunting, dark, and deceptively simple-looking short from German artist Michael Fragstein.

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matthieu chedid + stéphane berla: est ce que c’est ça.

I love the phosphorescent, x-ray, almost 3D quality to the animation in this video, directed by Stéphane Berla, for French singer-songwriter Matthieu Chedid.

Via Antville

christian robinson + daria tessler: dinosaur song.

Dinosaurs. Automatic win. A sweet little memory trip animated by Christian Robinson to a poem by Daria Tessler.

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Via Motionographer

 

more soon: tales of the unexpected.

Wow. This is two years old, but I had to post it. Commissioned by Denmark’s Ei’Kon, More Soon’s ‘Tales Of The Unexpected” is simply one of the best pieces of motion design I’ve ever seen. Ever.

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rhett dashwood: mite.

Very cool micro/macro exploration from Rhett Dashwood.

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Via Ventilate

benjamin ducroz: press +.

Grainy, twitchy, glitchy, water-coloury, brown-papery goodness from Benjamin Ducroz’s abstract animation “PRESS +.”

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phantomcolor + l’ascenseur: squint.

Described by creator Phantomcolor as being “interpreted visually as a succession of fluids one drinks at a lazy saturday morning breakfast”, “Squint” is a long, languid visualization set to the L’Ascenseur’s song of the same name. I have no idea where the breakfast thing comes in, but I don’t really care.

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Via Motionographer

jérémie périn + flairs: truckers delight.

So wrong it’s right. Jérémie Périn’s video for Flairs’ “Truckers Delight” manages to pull of being radiant in its vulgarity and basically just awesomely fucked up. I’m not sure what else to say but: a) it’s 8-bit, it’s my kyrptonite, I can’t not blog it, and b) totally NSFW. Unless you work in porn.

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ian stevenson + luke seomore: stare into the sun.

I’m always into exploring the sort of cruel paradox of hiding brutal life lessons inside the guise of children’s things. There’s always a witch heating up an oven just around the corner…

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Directed by Ian Stevenson and Luke Seomore, with audio by Graffiti 6, “Stare Into The Sun” delicately walks the fine line between absurdist children’s animation and inside joke. There’s just something about the hero character’s face that lets you know that, unicorn riding and rainbow hoping aside, this shit ain’t gonna end well. Be sure to watch it to the very end.

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