matt pyke & friends: super-computer-romantics.

Any time Matt Pyke is about to release new work feels like Christmas Eve. My favourite digital artist and motion designer ever, Matt’s simply unbeatable at creating innovative, organic and jaw-dropping work for his own studio, Universal Everything, and some of the world’s biggest brands. (You may have heard of them: Nike, Chanel, Nokia, MTV and the London 2010 Olympics. Whatever. NBD.) He’s also the mastermind behind my favourite motion design project ever, the inimitable Advanced Beauty. If you haven’t seen it, get it. Buy it. Find it. Watch it. It’ll change your life.

One of my fave facets of Matt’s work is how it never seems forced or even “created” – somehow it feels like everything he does (“organic digital” is what I like to call it) just comes into being. It flows as easily as if it washed up on a shore or floated in on a breeze. Plus I’ve emailed with Matt a few times and he’s also a really stand-up guy and a class act all around.


In his first ever solo show, Matt’s taking over Paris’ La Gaîté Lyrique with Super-Computer-Romantics. Guest-curated by Charlotte Leuozon and with sound design by Matt’s brother and frequent collaborator, Simon, the exhibition features 8 separate environments covering more than 26,000 square feet. Pyke says “The approach is one of a romantic view of technology and of really kind of being optimistic about what you can do with technology and how you can create beauty with super-computers, how you can create pieces of video work and pieces of audio-visual work.”

Reading La Gaîté Lyrique’s extensive info on the event, I started to get light-headed and giddy: “Here, a 3 meters high walking monster, endlessly transforming itself. There, a monolithic block invites viewers to peek into a singular experience – witness the birth of materials at a molecular level. On the mezzanine, stands a crowd of generative living sculptures, grown from code. Facing them, a huge projection of a never-ending procession of bodies, struggling against a hurricane of sound. Each piece can be considered a supercomputing beauty seeking emotional sensations and feelings whose magic breaks with rational functionalism. Remixing primitivism, minimalism, pop culture and 19th century landscape painting, the exhibition Matt Pyke & Friends takes us to a romantic theatricality reaching a subtle and meaningful relationship between technologies and the viewer.”

Opening this Thursday and running until May 21, 2011, the show will also feature a full-sized theatre screen with a retrospective of all of Pyke’s commercial and artistic work to date as well as a public lecture, from Matt himself, on the subject of “creation.”

Getting me all hot and bothered for the upcoming show, today Nowness debuted a stunning teaser vid for “Supreme Believers”, one of the installations from Super-Computer-Romantics. The Universal Everything Vimeo channel has also released a teaser for the exhibition. Both are classic Pyke and I want more, more more.

Here’s a video of Matt himself talking about his vision for the exhibition (and giving some visual glimpses into what he’s got planned). 

I need to see this show. I NEED IT. If anyone would like to take me to Paris to see Super-Computer-Romantics, I’m not above begging. I’m a pretty decent conversationalist, I sleep well on planes and I know some French. I’ve also never met an escargot that I didn’t like. Just putting that out there.

If you want more Matt Pyke (and why wouldn’t you), here are past posts on Forever, a video installation for the Victoria & Albert Museum; the new brand identity they created for MTV International; their gorgeous 2010 reel; and here’s one of Universal Everything’s most recent works, a series of digital installations for Chanel:

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+ via @universalevery

alex mcleod.

Toronto designer/artist Alex McLeod’s 3D digital renderings of various fantasy landscapes are seriously off the charts. They’re so gloriously, glossily fake that for a second they almost seem real. They’re like snapshots of dreams, or brochure photos to some sort of surreal, plastic, rainbow-filled holiday spot. The kind of spot where volcanoes erupt with spring water and clouds are transparent helium balloons. It’s landscape photography meets Saturday morning cartoons.

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His site also offers up some completely kick ass wallpapers – like this one, which is up on my computer as we speak. If you’re going to be in Toronto, McLeod has a solo show coming up in June at Switch Contemporary. I wanna see these bad boys in person. And maybe buy one. A guy can dream…

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advanced beauty is finally released.

It was exactly one year ago tomorrow that I first posted about Advanced Beauty. I’ve been literally obsessed with its evolution ever since. Boasting an incredible list with some of the best talent working in motion graphics today – we’re talking Mate Steinforth, Carl Burgess, Karsten Schmidt, Robert Seidel, Pandapanther, Peppermelon, Minivegas, and way more – it’s easily been one of my most anticipated projects of the year.

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I was hooked (freakishly in love with, actually) Advanced Beauty from the second I saw its jaw-dropping teaser trailer:

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Finally, after all the waiting, the HD-DVD is now for sale around the world and I got my hands on one last week. This is one of the rare and wonderful moments where you can declare, unequivocably and without reserve, that the result was absolutely beyond worth the wait. I watched it three times in a row on my first sitting. The art it contains doesn’t look and feel like anything you’ve ever seen before. It’s immersing and alive and doesn’t bombard the senses as much as slowly, lucidly, brilliantly fill them. It’s legal mind drugs. Glorious.

Advanced Beauty, hands down, full out, is absolutely my favourite project – in any media or genre – for 2008. And one of the most visually arresting and amazing thing I have ever seen in my whole life.

It feels to me like Advanced Beauty is one of those rarest thing in this modern, economy-threatened, bottom line world: a lush, beautiful, sensory-engrossing work of experimental art… just because. Art for the sake of art. Not for commericals, or movie credits, or music videos. But a forum for masters of a flourishing computer-genre new wave of design to experiment and drive their own forefront. It’s stuff like this that will drive the idea of art forward in the digital age. Advanced beauty indeed.

There is no picking favourites with a list of creators like this, but here are some of my favourite snippets, just to entice you. Curator Matt Pyke and his team at Universal Everything were ingenious in the way they marketed and grew buzz: they were generous with HD film clips like these, there was an Advanced Beauty podcast available on iTunes, there was a Facebook group they actually posted shit to. It was truly modern marketing, to a very wired and tech-savvy target audience, for a decidedly modern work of art. And there’s nothing about it not to love.

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Karsten Schmidt

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whitevoid: polygon playground.

There was a time when monkeybars and a tube swing would be enough to keep you entertained. That time is long gone. Instead, how about a large interactive 3D laser-mountain? Yeah. This is some Tron-shit right here. If I have kids, I’m hooking them up with a “Polygon Playground“.

Created by WHITEvoid, this playground is a huge video installation and interactive art object. Up to 40 people can roam the different angles and slopes of the space while a 3D projection system projects 360-degree mapping over the entire surface. A sensory system tracks the motion of the playgrounders and responds to their movement by warping and and rippling the projected geometric graphing, creating waves and flows of light upon the ground as you walk along. The projection system can switch its visual from a hard, geometric web pattern, to glowing balls of light, to the illusion of filling the whole piece with running water, to a thick, opaque block that makes the whole thing look like a large, luminescent ice berg.

Commissioned as a lounge area for SMUKfest, one of Denmark’s biggest music festivals, this is one more bit of proof that Scandinavians are vastly cooler than we are. Imagine lamping on this baby with some post-digital Baltic electro playing in the back and a vodka… or two… or ten. Good times had by all.

Via Today and Tomorrow

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