Tomas Mankovsky made a major splash on the webs (on almost every blog like mine, including mine) with his crazy stop-mo vid “Sorry I’m Late.” That vid was kick ass and deserved every accolade it got.
Digging around I came across another Mankovsky short, and I think this one is even more stellar. “Little Big Love” just strolled away with a piece of my heart, and once you watch it too you’ll know exactly why.
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I see some people bitching online about how many stop motion videos there are and I think they should shut up. Sure, the whole stop motion thing has been really popular lately, and I think it’s for two reasons:
a) If done well, it’s really fucking awesome. b) It can be cheap, and is an amazing technique for low-budget or up-and-coming artists to create cool motion design.
Plus, if you’ve ever seen how gruelingly, excrutiatingly, painfully long it takes to create, it’s amazing how much love has to be put into it. As long as it’s being used to create something true and beautiful, it shouldn’t matter how many times you’ve seen it before. That would be like saying Impressionism is played out because Manet did it all before Monet. And, if you said that, you’d be an idiot.
There’s always room for more of something awesome.
Besides just being generally hot, “Sorry I’m Late” is even more impressive when you realize that Blink’s Tomas Mankovsky created it with stop motion, shooting a bunch of stills on a gym floor from a camera suspended from the ceiling. That, my friends, is bad ass. No matter how many times you’ve seen it.
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