matt pyke & friends: super-computer-romantics.

Any time Matt Pyke is about to release new work feels like Christmas Eve. My favourite digital artist and motion designer ever, Matt’s simply unbeatable at creating innovative, organic and jaw-dropping work for his own studio, Universal Everything, and some of the world’s biggest brands. (You may have heard of them: Nike, Chanel, Nokia, MTV and the London 2010 Olympics. Whatever. NBD.) He’s also the mastermind behind my favourite motion design project ever, the inimitable Advanced Beauty. If you haven’t seen it, get it. Buy it. Find it. Watch it. It’ll change your life.

One of my fave facets of Matt’s work is how it never seems forced or even “created” – somehow it feels like everything he does (“organic digital” is what I like to call it) just comes into being. It flows as easily as if it washed up on a shore or floated in on a breeze. Plus I’ve emailed with Matt a few times and he’s also a really stand-up guy and a class act all around.


In his first ever solo show, Matt’s taking over Paris’ La Gaîté Lyrique with Super-Computer-Romantics. Guest-curated by Charlotte Leuozon and with sound design by Matt’s brother and frequent collaborator, Simon, the exhibition features 8 separate environments covering more than 26,000 square feet. Pyke says “The approach is one of a romantic view of technology and of really kind of being optimistic about what you can do with technology and how you can create beauty with super-computers, how you can create pieces of video work and pieces of audio-visual work.”

Reading La Gaîté Lyrique’s extensive info on the event, I started to get light-headed and giddy: “Here, a 3 meters high walking monster, endlessly transforming itself. There, a monolithic block invites viewers to peek into a singular experience – witness the birth of materials at a molecular level. On the mezzanine, stands a crowd of generative living sculptures, grown from code. Facing them, a huge projection of a never-ending procession of bodies, struggling against a hurricane of sound. Each piece can be considered a supercomputing beauty seeking emotional sensations and feelings whose magic breaks with rational functionalism. Remixing primitivism, minimalism, pop culture and 19th century landscape painting, the exhibition Matt Pyke & Friends takes us to a romantic theatricality reaching a subtle and meaningful relationship between technologies and the viewer.”

Opening this Thursday and running until May 21, 2011, the show will also feature a full-sized theatre screen with a retrospective of all of Pyke’s commercial and artistic work to date as well as a public lecture, from Matt himself, on the subject of “creation.”

Getting me all hot and bothered for the upcoming show, today Nowness debuted a stunning teaser vid for “Supreme Believers”, one of the installations from Super-Computer-Romantics. The Universal Everything Vimeo channel has also released a teaser for the exhibition. Both are classic Pyke and I want more, more more.

Here’s a video of Matt himself talking about his vision for the exhibition (and giving some visual glimpses into what he’s got planned). 

I need to see this show. I NEED IT. If anyone would like to take me to Paris to see Super-Computer-Romantics, I’m not above begging. I’m a pretty decent conversationalist, I sleep well on planes and I know some French. I’ve also never met an escargot that I didn’t like. Just putting that out there.

If you want more Matt Pyke (and why wouldn’t you), here are past posts on Forever, a video installation for the Victoria & Albert Museum; the new brand identity they created for MTV International; their gorgeous 2010 reel; and here’s one of Universal Everything’s most recent works, a series of digital installations for Chanel:

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+ via @universalevery

universal everything: reel 2010.

Universal Everything is my favourite motion design shop in the world. Hands down. I’ve written (and raved) about them on shape+colour more than any other agency or artist in the world. Each time they release new work it reinforces my belief that there is always undiscovered art and beauty in the world. I love them and I’ve run out of superlatives.

Now, luckily for me, they’ve just released their new reel for 2010 and I can finally post some of the beautiful work from past projects that I hadn’t because it was older and I was worried I was turning into a stalker. This reel is a magnum opus of awesome. Behold:

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If you really want to get into it (and why wouldn’t you?) here are some of my favourite past posts on Universal Everything:

MTV International Brand Identity

Advanced Beauty

6 Billion People, 6 Billion Colours

Forever

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mtv international + universal everything.

Universal Everything is my favourite motion design studio in the world. Yesterday MTV International rolled out a brand new identity – to umbrella across all of it’s 64 channels around the world – created in collaboration with Universal Everything. So basically I just shit my pants…

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Lots of people like to chirp that MTV is becoming increasingly irrelevant since it basically stopped playing music videos.  Depite MTV’s undeniable shift to creating reality programming rather than promoting videos, you can’t exactly say that reality TV has been a big pop-bust. It’s culturally less worthwhile, arguably, but MTV has a history of innovative identity and design. If MTV exposes a lot of mainstream, Hills-watching folks to a level of design they wouldn’t normally see, then I consider that relevant. You never know when some kid is going to be zoned out in front of MTV, see a new ident from Universal Everything, and be inspired to learn more about art.

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I’m so pumped to see this new work from Universal Everything. It is absolutely stunning. Working similarly to their epic series of sound sculptures “Advanced Beauty” (which is my favourite project of all time, just sayin’…), Universal Everything founder Matt Pyke again collaborated with a series of filmmakers to create each ident. Sound design, also just like “Advanced Beauty”, is by Pyke’s genius brother Simon (a.k.a. Freeform).

This stuff is all epic:

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Via Creative Review

universal everything: 6 billion people, 6 billion colours.

Universal Everything is heaven. Utopia. Shangri-La. A creative Eden. Any of those good places you want to go when you die.

To promote their new E71 phone, Universal Everything continued its collaboration with Nokia as one of four artists asked to produce videos for “Beautiful Connections”, a minisite exploring the beauty of connection. Also featuring work from Carl Burgess, field, and SHFT, each film is up for download, has an available wallpaper, and the site invites you to create and upload your own vids as well.

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No big surprise, but Matt Pyke, Maxim Zhetskov, and Simon Pyke’s contribution for Universal Everything, “6 Billion People, 6 Billion Colours” was my fave. It resounds not just with the feeling of connection and human interaction given to these little shapes, but to the possibility of inspiration and change. How amongst even the largest masses an individual has the ability to impact all the others, and create a more beautiful, harmonious, connected existence. Plus the soundtrack, created by Simon Pyke’s Freefarm, is un-freaking-believable.

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I read an interesting opinion from Martina, creator of Adverblog, that the site is “…made of four very beautiful videos and not much else… I have contrasting feelings about marketing initiatives that mix art and advertising. As usual I have a very pragmatic approach, and I appreciate and understand them only when the brand and the product fit the artwork.”

I humbly disagree. But, then again, I’m artsy. For me, a brand with enough balls to promote and patron the creation of art and ideas is worthy of my loyalty because it does so without tying it in so neatly to the product. Similar to Sony’s groundbreaking “Colour Like No Other” campaign, these companies are taking something fairly techno-boring (unless you’re a techie) and imbuing it with an emotion. An artistic feeling. And for me that demonstrates not just an evolved thinking but the trust that I’m smart and saavy enough to relate back without having technical specs and other traditional sales pitches thrown at me. These types of venutres create the ultimate brand connection – they make me feel something.

universal everything: forever.

Matt Pyke and the folks at Universal Everything are running one of the best design shops in the entire world. In case you missed it, the mind-blowing Advanced Beauty was my favourite thing in 2008. Now they’re kicking off 2009 with equal awesomeness.

“Forever” is a large videowall floating above the pond in the John Madegaki Garden at London’s Victoria & Albert Museum. It plays an endless number of unique, morphing images that constantly “rise” from the surface of the water. The result is classic Universal Everything: a heightened commingling of organic and digital as they continue to explore the ways that technology can reinterpret natural forms into stunning new visuals. With the animation designed around a central “spine”, the forms, though abstract, to me seemed beautifully reminiscent of everything from  a swirl of smoke, to a budding branch, to a genetic double helix, to a flash of lighting, to an incandescent wind-blown feather, and more.

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If you’re not able to make it in person to see the installation in London, then there’s also an online installation creating an equally-endless series of podcasts, making the experience available to anyone with a computer. It’s pretty much brilliant. “Forever” is also being used to create 20,000 completely unique postcards, which (hopefully) we can get our hands on somehow. Maybe not all 20,000… but one or five would be cool.

Check out the making of:

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advanced beauty is finally released.

It was exactly one year ago tomorrow that I first posted about Advanced Beauty. I’ve been literally obsessed with its evolution ever since. Boasting an incredible list with some of the best talent working in motion graphics today – we’re talking Mate Steinforth, Carl Burgess, Karsten Schmidt, Robert Seidel, Pandapanther, Peppermelon, Minivegas, and way more – it’s easily been one of my most anticipated projects of the year.

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I was hooked (freakishly in love with, actually) Advanced Beauty from the second I saw its jaw-dropping teaser trailer:

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Finally, after all the waiting, the HD-DVD is now for sale around the world and I got my hands on one last week. This is one of the rare and wonderful moments where you can declare, unequivocably and without reserve, that the result was absolutely beyond worth the wait. I watched it three times in a row on my first sitting. The art it contains doesn’t look and feel like anything you’ve ever seen before. It’s immersing and alive and doesn’t bombard the senses as much as slowly, lucidly, brilliantly fill them. It’s legal mind drugs. Glorious.

Advanced Beauty, hands down, full out, is absolutely my favourite project – in any media or genre – for 2008. And one of the most visually arresting and amazing thing I have ever seen in my whole life.

It feels to me like Advanced Beauty is one of those rarest thing in this modern, economy-threatened, bottom line world: a lush, beautiful, sensory-engrossing work of experimental art… just because. Art for the sake of art. Not for commericals, or movie credits, or music videos. But a forum for masters of a flourishing computer-genre new wave of design to experiment and drive their own forefront. It’s stuff like this that will drive the idea of art forward in the digital age. Advanced beauty indeed.

There is no picking favourites with a list of creators like this, but here are some of my favourite snippets, just to entice you. Curator Matt Pyke and his team at Universal Everything were ingenious in the way they marketed and grew buzz: they were generous with HD film clips like these, there was an Advanced Beauty podcast available on iTunes, there was a Facebook group they actually posted shit to. It was truly modern marketing, to a very wired and tech-savvy target audience, for a decidedly modern work of art. And there’s nothing about it not to love.

Mate Steinforth

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Karsten Schmidt

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Carl Burgess

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Pandapanther

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matt pyke: advanced beauty.

As creator and all-around genius behind UK design shop Universal Everything, Matt Pyke serves up some of the most eye-catching and jaw-dropping digital design on the planet. His client list includes heavy hitters like Apple, Adidas, MTV, Coke, Nokia, Nike and a little shindig called the 2012 London Summer Olympics.

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The anticipation for his latest project is keeping me up at night: Advanced Beauty is a series of “sound sculptures” curated by Universal Everything with sound design by frequent collaborator Freeform, the music project led by Matt’s brother, Simon Pyke. Each segment is visually and sonically unique and directed by groundbreaking designers from around the world – including visionaries like Marc Kremers, Karsten Schmidt, Thomas Traum, Alex Peverett, Tom Scholefield, Paul Simpson, and Jonathan Garin.

If the awe-inspiring trailer and lushly color-filled first segment by New York-based designer Mate Steinforth are any indication, then we’re in for a total breakthrough when Advanced Beauty finally drops in Spring 2008. I think it’s pretty safe to say right now: Advanced Beauty will be the shit.

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